From the murder of John Lennon to rejecting Antonio Banderas: How the Dakota became more famous than its inhabitants | Culture | EL PAÍS English
In Ira Levin’s novel Rosemary’s Baby, about a young woman who may be pregnant with Satan’s child, when the protagonist Rosemary tells a friend that she intends to move into an apartment in the Bramford building, her friend is aghast. She tells Rosemary a gruesome anecdote that includes episodes of murder, cannibalism, and witchcraft. If Rosemary is determined to be seduced by the nineteenth-century splendor of Manhattan, her friend comes to tell her, there are less foolish options. “Better go to the Dakota,” she suggests. Rosemary doesn’t follow the advice, and that’s where her problems begin.
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