McCartney Times

In October 1970, drummer Denny Seiwell was a sought-after New York City session musician who split his time between studios and jazz clubs. Like a lot of local session men, he used an answering service to set up his gigs. One day, the service called to give him good news and bad news: A session he was supposed to attend had been canceled, but Barry Kornfeld, a friend and folky guitarist, wanted him to do a demo. Normally, Seiwell was too busy to do demos, but because of the cancelation, he had an open slot, and he hadn’t seen Kornfeld in a while. He agreed to go.

“They gave me the address, and I said, ‘Jeez, is there a studio there?’” Seiwell says. “It didn’t sound right. I went to the address, and it was a brownstone, way over on the West side, on 43rd Street or something. And it didn’t look like it had electricity. Like they were going to renovate the building or something. I walk up the steps to the lobby there, and there’s a guy. I said, ‘Is there a studio here?’ And he pointed to the basement. And here it is, this dingy, dirt-floor basement, a ratty set of drums sitting in the middle of it, and Paul and Linda sitting on a folding chair over in the corner. That was it. It was very bizarre.”

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Source: Another Day: Paul McCartney’s Once-Maligned, Now-Adored ‘Ram’ at 50 – The Ringer