“It’s a drag.” Paul McCartney, England, December 8, 1980. My beloved step-brother was never one to deal with soul wrenching grief in a practical manner. He was brought up in the guilt-ridden Catholic mind set of “bury-your-head-in-the-sand.com.” “Let’s not talk about it son,” a la father Jimmy Mac.
He and the world had just lost someone very dear to them. I had lost my Uncle John, the myopic, misunderstood, manipulative, mystifying Mop-Top who had helped me to learn to ride a bicycle; Julian and Sean had lost a father; Cynthia, her knight in shining armour; Yoko, a fellow artist, contemporary and house husband … and Paul? Well, call me crazy, but he lost the wife. I’m certainly not implying anything of a carnal nature here, but to almost all intents and porpoises (as John would have put it), what they had was a marriage.
Mark David Chapman’s selfish quest for his Warhol-esque fifteen minutes of fame was the fatal wound to an injured relationship that had lasted almost 23 years. This unconventional partnership, much like a paradigmatic marriage, had endured its sundry situations … its honeymoon period;
its 7 year itch; the adoption of its offspring by Northern Songs and some time foster parent Michael Jackson; the tender temptations of Jane, Cynthia, Yoko, Linda, May Pang and others; the psychedelic side-trips; the jesters in the High Court; a very public airing of some dirty laundry lyrics; and finally, like two great lions in a butcher’s shop who have matured enough to realize there’s enough meat in the market for both of them … a mutual, if grudging respect. It was a drag alright.

Hitler’s Luftwaffe was extremely interested in this industrialized zone with its munitions factories, rail network and busy seaport, but despite the young John’s pleas to Julia, Freddie was sent packing and John Winston was returned to the care of his houseproud Aunty Mimi and dairy farmer Uncle George, at Mendips on Menlove Avenue, where he’d been living for a year. Almost 21 months after John Winston had screamed his first protest, a 32 year old Mary Patricia Mohin McCartney would experience the same set of emotions and circumstances at her place of work – she was a nursing sister at Walton Hospital – only difference being that her husband, (a.k.a. “me Dad”), was there at 2.05 a.m. to welcome his first born, James Paul, into the world.
The family grew within 18 months to include brother Peter Michael, and they resided in various houses in Allerton and Speke from Roach Avenue to Ardwick Road before finally settling at 20 Forthlin Road in 1955.
The following year, mother Mary died of breast cancer, leaving the emotionally immature Paul to ask, upon hearing the news of the tragedy, “what are we going to do without her money?” My brother Mike has been quoted as opining that it was this pivotally catastrophic event that caused an inwardly devastated 14 year old Paul to pour his passion and pain into his music, which paradoxically became a blessing for all of us. Across town, John Winston would be the victim of the same disastrous occurrence just 2 years later. Julia was killed by a car driven by an off duty policeman on July 15, 1958. The deprivation of his Mother’s friendship would affect John deeply and bond these partners in rhyme for years to come. Paul had already suffered the loss of his Mother, and although 2 years younger, and infinitely less experienced than John, it would prove to be a mutually morbid situation in which they could commiserate. Almost a year before the sudden passing of Julia Lennon, a coincidental collision of cosmic proportions took place at St. Peter’s Parish Church in Woolton Village.
On the afternoon of July 6, 1957, right across the street from the ossuary of a certain spinster called Eleanor Rigby, an unsuspecting schoolboy named Ivan Vaughn, lad about town, villain of Vale Street and part-time tea chest bassist, took a chubby 15 year old Paul McCartney to listen to local ‘legends in their own lunchtime’ – the band they called The Quarry Men.
The group was headed by a sexy, sardonic closet nice-guy – the almost 17 year old John Winston Lennon with his £17 guitar. Paul remembers: “It was at Woolton Village Fete I met him. I was a fat schoolboy and, as he leaned an arm ’round my shoulder, I realized that he was drunk.” Not a very glamorous account of an event that was to change minds, music, marketing, merchandise and mania as we knew it. This completely unremarkable set of circumstances would lead to an alliance, that although inconsanguineous, would ultimately disprove the old adage “blood’s thicker than water.” That may be, but shit’s thicker than blood. And these guys went through their fair share of shit together.

But it’s a helluva privilege to be related to Jim. Why? Coz there’s no hairs on a seagull’s chest! Looking back across the years, the synchronicitous world events, the alignment of the planets and a whole host of other spooky things – all I with my high school education can conclude is this … John and Paul were meant to meet, meant to create and one was designed to play sturm and drang to the other’s yin and yang.
One Romulus to the other’s Remus. Ladies and Gentlemen, The Nurk Twins, live without the aid of a net – ably backed up by their band The Oedipus Guilt Complex.
They were the product of a wartime town, a depressed economy, a “things-can’t-get-any-worse-luv” society, and they struggled for years to become an “Overnight Success”. There was something about being a Scouser that is still undefinable to this day. Our little city has spawned show business legends such as Sir Arthur Askey, Sir Ken Dodd, Glenda Jackson, Rex Harrison, Derek Nimmo, Willy Russell and even Wayne’s World’s funnyman Mike Myers.
It seems that a free sense of humor kit is handed out at birth to every child born on ‘Pool soil.
Is it stranger than fiction that the two Beatles, Stuart Sutcliffe, born in Edinburgh, Scotland and Pete Best, born in Madras, India – who undoubtedly had an impact on both the group’s look and sound – didn’t stay the course?
Certainly in the case of John and Paul – two wartime babies, growing up without mothers in fairly, what could be considered upper working to middle class circumstances, the scouse-glue bonded and stuck. The combination of John’s irreverence and Paul’s naiveté; of John’s panoply and Paul’s privacy; John’s perspicacious pessimism vs. Paul’s seemingly guileless gyp created the oil and vinegar that tasted so good to our ears. The Brothers Grimm of the musical manuscript. The Abbot & Costello of press conferences. The Orville & Wilbur of melodious travel.
That is not to decry the phenomenal contributions of George and Ringo – it was all part of the package that not only survived, but dictated the Zeitgeist, but the motherless boys certainly managed to find an “anschauung” – a way into each other’s souls, bosoms and brains, a way for one to discern the true nature of the other. Alike, yet different. Compatriots yet adversaries. I’m sure there’s a fascinating psychoanalytical clinical explanation for their kinesis, but I just like to think of them as a needle and a thread in a haystack who were lucky enough to find each other and stitch together a tapestry of musical memories which has decorated the walls of the world, and, like those fine pieces of art, will only continue to improve with age. Like the tragic deaths of Julia and Mary, and as the Death card in the Tarot signifies “change”, the equally untimely demise of JFK left America in a depressed, emotional turmoil. The civil rights problems of the early 60’s, the social unrest after World War II and the Korean war served, in my opinion, to act as a tunnel from which it appeared there was no escape.
Then on the 9th February, 1964, Ed Sullivan shone the proverbial light on the viewing public. The long night was over. The Beatles had conquered America. For the next two and a half years, John and Paul, (together with George and Ringo), would travel, eat, rehearse, write, play, record and “sleep” (again, not literally) together. The magic eventually had to wear off. On Monday, 29th August 1966 , after endearing youth and enraging society, they played their penultimate concert together at Candlestick Park in San Francisco. The Scouse glue was coming unstuck. Their next and final gig was to be on the roof of their Savile Row headquarters in London on January 30th 1969.
The glue had turned flaky. The honeymoon was over. The divorce lawyers had moved in. But the legacy remains. From the 4 on the floor, skiffle inspired raw rock ‘n roll songs of the Hamburg days to the sophisticated psychedelic tales of public works excavations in Blackburn, Lancashire – it’s all still there for us to reminisce, regret and rejoice over.
The Bonnie and Clyde of rock ‘n roll had pulled their last job. Busted. Caught red-handed with lives, wives and children of their own. Finito. Sayonara. Later dude … And so we move into the era of Oasis, Green Day,The Smashing Pumpkins, Nelly, Dave Grohl and various other really groovy types with piercings in places I have to look up in a medical dictionary – but d’ya know what? Ask the songwriters of today who influenced them and 8 out of 10 will tell you The Beatles. So it goes, and in the end, the music you make is equal to the kudos you take.
Now THAT’s not such a drag after all !!
Source: McCartney Times



