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Ravi Shankar

Sukanya and Ravi Shankar

Sukanya and Ravi Shankar

Ravi Shankar ( 7 April 1920 – 11 December 2012), born Rabindra Shankar Chowdhury, his name often preceded by the title Pandit (‘Master’), was an Indian musician and a composer of Hindustani classical music. He was one of the best-known exponents of the sitar in the second half of the 20th century and influenced many other musicians throughout the world.

Shankar was born to a Bengali family in India, and spent his youth touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.

In 1956 he began to tour Europe and the Americas playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and Beatles guitarist George Harrison. His influence on the latter helped popularize the use of Indian instruments in pop music throughout the 1960s. Shankar engaged Western music by writing compositions for sitar and orchestra, and toured the world in the 1970s and 1980s. From 1986 to 1992, he served as a nominated member of Rajya Sabha, the upper chamber of the Parliament of India. He continued to perform until the end of his life. In 1999, Shankar was awarded India’s highest civilian honour, the Bharat Ratna.

George Harrison became interested in Indian classical music, bought a sitar and used it to record the song “Norwegian Wood (This Bird Has Flown)“. In 1968 he went to India to take lessons from Shankar, some of which were captured on video. This led to Indian music being used by other musicians and created the raga rock trend. As the sitar and Indian music grew in popularity, groups such as The Rolling Stones, The Animals and The Byrds began using it in some of their songs.

I think Ravi was rather taken aback, because he was a classical musician, and rock and roll was really out of his sphere. He thought it rather amusing that George took to him so much, but he and George really bonded. Ravi realised that it wasn’t just a fashion for George, that he had dedication. Ravi had such integrity, and was someone to be respected, and at the same time huge fun. George hadn’t really met anyone like that, and he really encouraged his interest.

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